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Hi there!

My name is Claire-Monique Martin

Of British, French & Caribbean Heritage (My Maternal Grandmother was from Grenada), 

 

I'm a neurodivergent  Actor, Musician, & Producer from South-East London. 

I am the holder of both British and EU (French) Passports & have bases in London & New York.

Here's the link to my Spotlight profile here

 

I graduated from The American Academy of Dramatic Arts (NYC) back in 2018 & have worked Off-Broadway, Off-Westend, & at the Teatros de Canal in Madrid in different mediums, shapes, & sizes.

I am also the artistic director of 

In my spare time, I love to watch my football team Charlton Athletic, take my Sprocker Terrier Luna for long walks, cook, play Mahjong (the proper game not the computer pair one), horse ride (Dressage Standard), & swim.

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His assistant nurse, Ilse (played with a potent stillness by Claire-Monique Martin), is all subservience on the outside, but inside the fire of resistance burns passionately below the skin.

THE SPY IN THE STALLS

It’s an important story, and there’s plenty to admire, particularly a standout turn from Claire-Monique Martin.

Every time she returns to the stage, the emotional temperature shifts, and you find yourself wanting to follow her even more.

ALL THAT DAZZLES

Claire-Monique Martin is just perfect as the nurse willing to risk it all for the sake of bringing two gay men back together,

FOREVER WITH PRIDE E-MAGAZINE

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Claire-Monique Martin gives a wonderfully caring and human performance. You could visibly see her character's discomfort - her soul recoiling at being part of a process she clearly felt was cruel and inhumane.

PINK PRINCE THEATRE

But several of the finest scenes rest on the shoulders of two further performers, Claire-Monique Martin and Tom Everatt. Martin plays the nurse, Ilse, unwillingly assisting Vaernert, who then takes action to help Nikolai and reconnect him to Zack. This is a finely-graded study in passionate constraint, that helps to provide the audience with something of a moral lodestar through the play.

PLAYS TO SEE

The strongest performance comes from Claire-Monique Martin as Vaernet’s nurse, Ilse. She succeeds in finding some motivation in the script and acts in a more naturalistic style than others do. She is the only character with whom it is really possible to empathise.

LONDON THEATRE1

'Martin plays her role aware of the seriousness of her situation and pulls her determination to face up to these scoundrels with the determination of the Great One (Ali).'

'Claire-Monique Martin is captivating to watch and elegant in the space.'

'Thanks to an engaging performance from
Claire-Monique Martin, Alisha holds our attention throughout and her emotional journey from despair to defiance convinces.'

'Claire-Monique Martin’s spirited Nusch Eluard deserves a play to herself.'

'His assistant nurse, Ilse (played with a potent stillness by Claire-Monique Martin), is all subservience on the outside, but inside the fire of resistance burns passionately below the skin.'

Claire-Monique Martin is a brilliant multiroler – her appearance as both the King and Mariana had the audience rolling in the aisles.

'Of the supporting cast, Martin stands out for her musical performance, as well as an hilarious turn as Kathleen’s friend, Edna.'

PLAYS TO SEE

But several of the finest scenes rest on the shoulders of

Claire-Monique Martin.

Martin plays the nurse, Ilse, unwillingly assisting Vaernert, who then takes action to help Nikolai and reconnect him to Zack. This is a finely-graded study in passionate constraint, that helps to provide the audience with something of a moral lodestar through the play.

Claire-Monique Martin (always the Malcolm, never the Macbeth) did a grand job of bringing some life into a usually thankless role.'

'Its success also hinges on Martin's sensual but troubled portrayal of Elizabeth Taylor - she captures Liz's essence.'

ALL THAT DAZZLES

It’s an important story, and there’s plenty to admire, particularly a standout turn from

Claire-Monique Martin.

Every time she returns to the stage, the emotional temperature shifts, and you find yourself wanting to follow her even more.

'The bright costumes, are certainly beautiful, as is Claire-Monique Martin's voice as the chorus singer'

'Martin brings Lucy to life, brilliantly balancing her candor about the trials of explaining this gift to others with her excitement about her talents.'

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